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Booms and Blast of 2013

It's almost here, you can feel it on your nape and smell it under your breath. A good 365 days are almost over and we are not too far away from turning the page to 2014. But on one last look and a peep into the year that just went by, what is it that enlivened spirits, had us put our hands up in the air and howl in whistles? It is the super-duper hits that 2013 has gifted to Kollywood. The big stars did march their way clearly to success, but much to everyone's amazement, there have also been some of the not-quite-wonted, which rose up to the esteem of international familiarity, besides drawing audience back to packed halls over and over again. Here's to the blockbuster hits of 2013!
It was a spark, and then a flash and finally a boom which ferried people cross-border. If a film could move people literally, then it was this one by Kamal Hassan, which opened to unanimously positive reviews from all corners, and lived up to it in all the 100 days it filled the theatres. The chronicles of 'Vishwaroopam' is long and winding, but here is a quick recap on the mega-hit that got every audience engaged and hooked. It was not a rosy path for the film till its meeting with the silver screen, which gave way to piracy enroute. But that was no barrier for anyone, with people from almost all backgrounds thronging to watch Kamal Hassan in action. Noted as one of the best made spy-thrillers ever, 'Vishwaroopam' was universally awarded more than 75% by critics; the film even called in reviews from the former Deputy Prime Minister LK Advani, who commented on 'Vishwaroopam' as "one of the best movies I have seen in years." On paper, the film speaks of about 12 crore revenue at the end of eight weeks; but if piracy were avoided by some magic, given the controversy that the film got entangled in, 'Vishwaroopam' could have easily grossed the highest for the year, as the proof is live in the masses that thronged to watch the movie. Besides the unanimous positive reception, which has gotten us geared up for the release of its sequel, 'Vishwaroopam' also bagged two National Awards - one for production design, and the other for choreography.
Next in line is 'Soodhu Kavvum' which took Kollywood by storm. Marking the first dark comedy of the year, debutante director Nalan Kumarasamy was gleamed in optimistic responses from everyone. Best phrased as a comic-thriller surrounding funny kidnaps and scenes that are certain to tickle your funny bone, 'Soodhu Kavvum' brought in and got the K-town audience accustomed to the idea of dark humour. Santhosh Narayanan on the other hand saw roaring success, with people across ages developing a liking to the film's album, which continues to hold a favourite spot in the hearts of many. After the phenomenal success of 'Pizza', 'Soodhu Kavvum' was yet another feather on the cap of Vijay Sethupathi. Happy times didn't end there. The film was also nominated in Chennai International Film Festival's recent chapter, and was hence given the unique distinction of international acclaim. In all, the film was a mass entertainer, consistently voted at more than the good side of 60%, apart from grossing more than four times its budget!

 
Mid this year saw the welcome to a literal roaring success 'Singam 2'. Three years after the super-hit 'Singam', director Hari brought the same team back, with a few additions and some more colour and masala, to be delivered in an action-packed 2 hours 45 minutes. It is but natural to draw comparison with 'Singam', given that this one here is a sequel. And while 'Singam' was savoured with the masala of love, action and comedy, Hari doubled up the proportions in 'Singam 2', making it louder, spicier, racier and more colourful than his 2010 flick. However, critics in general noticed the inclination of 'Singam 2' towards action, as juxtaposed with 'Singam'. The film completed 50 happy days in August and a hundred healthy days in theatre in mid October. This brought in the distinction for the movie for being one among the top five highest grossers of all time in Tamil cinema; further, the film was declared the third in the list of movies that made highest profit in Malaysia, next only to 'Enthiran' and 'Sivaji'. With both national and international acclaim, director Hari's Suriya starrer 'Singam 2' is yet another pride of 2013.

Yet another delight for the year is director Ponram's 'Varuthapadatha Valibar Sangam'. The film had a slow yet steady positive reception among audience, which geared up to a good 100 days run in many packed houses. Treating us this autumn was a funny movie on a precarious message, which later went on to be accepted by everyone far and wide. VVS was a clear hit, impressing the masses, though it did not receive much appreciation in particular from critics, who looked at it as a film with loosely tied emotions. Yet there was no stopping the film from getting Siva Karthikeyan to the touted height of leading K-town hero. Opening up new ventures for the lead characters, the film went on to sum up among the highest profits of 2013. One of the most recent achievements of the film has been in picking up the courage for a minor girl in a Tamil Nadu village, who took to boldly call off the illegal marriage proposed with her as the bride, taking inspiration from the film.
Diwali saw the double-dhamaka blast of Kollywood with two successes back-to-back. Opening on widely lauded reception was the mass entertainer 'Arrambam'. It was authentic Thala Diwali for fans, given the raging success of Ajith-Vishnuvardhan action flick, which was in the making for about a year. The film involved smart hacking, 26/11 Mumbai blasts, love story and a strong shoulder for friendship. As classy as a revenge story could get, 'Arrambam' continued making headlines even after weeks from release. Another success that followed shortly was Vishal's producer debut 'Pandianadu'. From conception to silver screen, Suseenthiran took only a very brief time in completing this Madurai-based revenge concept, which has clearly made itself hugely successful at the box office.
Movies have been one of the finest forms of family entertainment for years. It takes efforts beyond imagination to deliver a story convincingly well to the audience who invest their time and money on silver screen entertainment. There are the big hits, the runaway hits and also the critically acclaimed, but not once in these many decades have movies failed to keep us engaged. With that, we wrap up a 100 good years of Indian cinema, celebrating the New Year's Eve, looking forward to a lot more success stories in the coming years...

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A year full of lights, camera, action!

In possession of a bustling attractiveness, with an elegance born of youth and a newfound confidence in the spirit of hobnobbing, Hansika has delivered in shot after shot in 2013. The year has comprised an impressive array of flicks, including Theeya Velai Seyyanum Kumaru, Singham 2 and Biryani.
Her determination is admirable. She has shed oodles of weight, adding favourably to her buoyant roles. Sure, no one is without their shortcomings, and a minor fling with a co-actor threatened to make her a media sensation for all the wrong reasons. But innate passions have a way of getting the better of outside superficialities, and before long, new contracts for bigger and more dynamic films had arrived. She whizzed past her many  competitors, making a place for herself in Kollywood.
Having started her career with television first and worked with a serial called Shaka Laka Boom Boom, and shifting to films, like Koi Mil Gaya, the bubbly girl has come a long way. And the year 2013 has been hectic with back-to-back shooting schedules in Tamil and Telugu. Being the lucky charm of filmmakers, things look bright for her in the coming year as well. She has nine movies in her kitty and the ravishing beauty says, “It’s been a year of action.”
 Quiz her about the highs and lows throughout the year, Hansika smiles, “In terms of career, the year has been great. I signed  some good projects, including Aranmanai with Sundar C, which is a supernatural psychological thriller and Maan Karate. You will see a different dimension of me in Aranmanai.” Apparently, she does not have a pair and is said to play ‘God’s Child’ — a role which will prove her acting credentials.
In Maan Karate, she is doing a bit of action too. Hansika rides as many as five bikes for a song in MK, namely a beach rescue bike, American bike, a bike with a sidecar, a tall bike and another 500 cc Bullet. On her bike riding experiences, she says, “I had great fun while the shoot was on and thoroughly enjoyed every bit of it.”
She has had good responses to her releases so far. “It’s been a happy year and I guess it was all possible because of my fans and support from everyone,” she says. Hansika, we hear, has the greatest number of fans in Japan, after Superstar Rajinikanth, of course. “When we were shooting for Theeya Velai Seyyanum Kumaru in Japan, a local  woman came running up to me and showed me her collection of my films on DVD. She said she was a big fan! I was speechless. It was heartwarming to see that I have fans there too,” she adds.

In terms of the lows in her personal life, Hansika courted controversy thanks to an alleged relationship and subsequent break up with an actor. However, she came out of it with her head held high, her focus firmly set on work, signing more films with meaningful roles. Ever the diplomat, she says, “Well, I have been on a high only because I have been working 24x7 and not really seen any real lows.  I can only complain of not getting enough sleep,” she laughs.
Hansika, who has been literally living out of suitcases, finally took some much-needed time off, to the United States to spend time with her friends from school who are studying there currently. “Though I enjoy working continuously, every year I make it a point to visit my close friends from childhood in New York and spend quality time with them. So, I am celebrating New Year’s at NY. I have had a rollercoaster year. It will be a sober but joyful day of celebration,” she says.
On her New Year resolutions, she asserts, “Honestly, I don’t believe in resolutions because I believe if I have to change something in my life I can do it that moment and not wait for the year to start.” The OKOK girl is optimistic about 2014. “Yes, it’s going to be bigger and better for me. I see myself a cheerful person in 2014. It will be full of lights, camera and action.”  The moment you ask her about her success mantra, she laughs out loud. “Oh! I wish I knew the mantra to success,” she giggles, adding, “It’s just hard work and I believe in myself. Be strong, be level-headed, have faith in yourself which will lead you to success. The most important thing is to respect your parents.”

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Seizing the day in style

On a breezy winter evening, we sit down for a chat with actor Sivakarthikeyan by the pool of the plush The Gateway. Siva looks visibly fit and one may deduce that the actor has been working really hard at the gym to shed a few pounds. As he sips his papaya juice, in retrospect, Siva says, “The only resolution that I made in 2013 was to work out every day. Thankfully, I didn’t cheat!” The year has been incredibly kind to Siva in all respects. He delivered a hat-trick of hits (Kedi Billa Killadi Ranga, Ethir Neechal and Varuthapadatha Valibar Sangam), which gratified producers and distributors, making him one of the ‘most wanted’ actors in K’wood. And the icing on the cake was the arrival of his daughter Aaradhana, who is two months old now. “I was the happiest when my daughter was born. After my father passed away, if there was anything that made me smile it was when I held my tiny baby in my arms,” says the doting father. He adds, “The success of all the films was gratifying indeed. But success instills more pressure and fear in me as I have to work harder to live up to the audience’s expectations.”
By the end of 2012, Siva knew that he would have three releases in 2013 and that  all the films would do well. “However, I didn’t foresee that they would become such huge hits. When I was working on all the three films, I felt a positive vibe, and that is reflected in the end product too,” says Siva.

While success intimidates this actor, failure pushes him to go further. If any of the films that were released in 2013 didn’t do well, “I wouldn’t have given up,” he says. “For a heart that bears the scars of many insults and failures, it is possible to resurrect and work harder,” says this determined actor.
Siva’s strategy of establishing himself in tinsel town has been the topic of discussion among trade analysts and movie buffs. His career graph didn’t have a steep rise as his victory in Kollywood involved baby steps. In 2012, he had three releases too. “In the film Marina, I was seen only for an hour and again in 3, I was seen for a short time. Then came Manam Kothi Paravai and KBKR. From the duration of screen space to working in double-hero subjects, I ensured that I had a smooth transition. I patiently waited to win the best offer. All that I had in mind was to work with great teams,” says Siva.
In 2014, Siva will have two releases. In Maan Karate, in which he joins hands with Hansika, he plays a boxer, and in Taana, he plays a police officer. “I am giving my heart and soul to both the films. All that matters to me is, irrespective of their age, the audience should be able to appreciate my films. More than being a great actor or a mass hero, I want to be an entertainer. And most importantly, consistency is success. Now that I have tasted some success, I will focus on giving steady hits,” says Siva.

The stream of accomplishments that he has had has surely changed Siva’s lifestyle. From owning a humble Ambassador in Trichy to driving the luxurious Audi in Chennai, this TV personality-turned-actor has been indulging in pampering himself. “Toiling with sincerity and passion results in such extravagance. Now I think I deserve it,” laughs Siva. However he is certain that his daughter will not be raised as an actor’s child. She will be given a modest upbringing, he adds. “When my father was a police officer, even when I used to get caught by the police at a traffic signal, I wouldn’t use his name. So, the same policy will be applied to my daughter also. She has to find her own identity,” says Siva.
This unassuming actor is in sheer exultation for having won the hearts of audiences that have mounted him on a pedestal. But deep within himself, Siva is still a good old friend to his college mates. “The thought that I’m now an actor has slowly sunk in. Despite that, sometimes, nonchalantly, I walk down with my friends to the shop at the corner of my street and I realise that I can’t do that quite often anymore. But I reckon that I won’t change. Fame and experience have seasoned the actor in me and the lessons that I have imbibed will help me be grounded,” says Siva, contemplatively.
 

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Vettrimaran-Dhanush off to Bollywood

They gave two commendable hits over the years through "Pollathavan" and "Aadukalam", yes its Vettrimaran and Dhanush indeed. Now the talks are going around Kollywood that, the duos have been signed up by Anand Rai the maker of Raanjhaana to do a straight Bollywood film. Romance is touted to be the theme taken up by Vettrimaran and this film will go on floors once Dhanush is done with his second flick in Bollywood.
Currently pre-production work is on for the movie with Balki which also has Big B and Kamal's daughter Akshara. Vettrimaran is believed to be working on the script, which is on the final stages and an official word will be out once things have finalized. It is to be noted that both these stars joined hands last time and the result was a galore of National Awards!

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From 52 weeks to 100 years

Fifty-two weeks have gone and the curtains have come down on 2013.  That’s 365 days of hustle and bustle, hopes, entertainment and buzz in the world of glam and glitz. There were a few hits and several misses, and there was no dearth of controversies or accomplishments either. Yet, it is the magic word ‘passion’ for Tamil cinema that makes these Kollywood-ers gear up for one more year of ‘Lights, Camera, Action’. DC does a rewind
 Heroes who made an impact  
Despite being dragged into several controversies, Kamal Haasan’s Vishwaroopam which hit theatres in early 2013, was declared a huge hit, proving that the ace actor still rules the roost. Ajith, who badly needed a hit after Billa 2, re-emerged with Arrambam, directed by  Vishnuvardhan, which was a blockbuster. Suriya’s Singham 2, a commercial potboiler with Hari, though, received mixed responses from the critics and was a box-office hit. Though he had a disastrous start with the film, Settai, Arya bounced back with Raja Rani and Arrambam. His much anticipated Irandam Ulagam bombed at the box office. Vishal’s Samar released early this year. Though critically acclaimed, it did not make the cash registers ring. After a string of flops the actor arrived with Pandiyaa Naadu, which was also his maiden production venture. Sivakarthikeyan was a revelation in 2013. He made his debut with Pandiraj’s Marina. It was a moderate hit and then followed the likes of Kedi Billa Killadi Ranga, Ethir Neechal and Varuthapadatha Valibar Sangham. With three hits under his belt,  Sivakarthikeyan came to centre stage. Vijay Sethupathi continued his good run of 2012. His films Soodhu Kavvum and Idharkuthanae Asaipattai Balakumara made an impact at the BO. His uncanny way of picking out-of-
 the-box scripts helped him continue his success run.


No Show of Rajinikanth 
Kochadaiiyaan, the magnum opus of Superstar Rajinikanth, his younger daughter Soundarya’s maiden directorial venture, was expected to hit the marquee this year, but it didn’t happen, much to the disappointment of his fans.

Glam Girls of 2013
The year clearly belonged to Nayanthara. The lady who went on a self-imposed sabbatical, returned with back-to-back hits, Arrambam and Raja Rani, and has her kitty full. Hansika was part of three hit films, Theeya Velai Seyyanum Kumaru, Singham 2 and Biryani. Her hands are full with seven films now. Having completed more than a decade in the industry, the ravishing actress Trisha, who had a bad start this year, made an impact with her year-end release, Endrendrum Punnagai. Lakshmi Menon from Kerala was considered a lucky charm — any film in which she worked turned out to be a blockbuster, like Kutti Puli and Paandiya Naadu. She is presently working in six flicks, including Naan Sigappu Manithan and Sippai, among others. Yet another Mollywood import, Nazriya Nazim, was considered the next big thing in Tamil cinema after Raja Rani’s success. But when she kicked up a controversy over her scenes in the Dhanush-starrer, Naiyyandi, it did give a jolt to her career.
For Priya Anand, who returned after a gap with Ethir Neechal, it looks like her career is going in a promising direction with four films in her kitty now.
Musical Notes
A.R. Rahman came out with two soul-stirring, romantic albums, namely Kadal and Maryan (which was also selected as iTunes’ Tamil album of 2013), but these movies flopped miserably at the box office. G.V. Prakash took on a new avatar of a producer with Madha Yaanai Koottam apart from scoring the music for Bala’s much acclaimed film, Paradesi. Though Harris Jayaraj’s songs were of average quality in Irandaam Ulagam, he completed the year on a musical note with Endrendrum Punnagai. Yuvan completed his 100th film with Biryani. The Kolaveri Di boy Anirudh saw success in Ethir Neechal and is now working on a film with Ilayathalapathy Vijay. Young faces who look promising include Ghibran, Santhosh Narayanan and K.
Comedy not the order of the day 
The year began with the wrong idea that comedy sells.  There were many movies made along the lines of Kanna Laddu Thinna Asaiya, but only a few worked out well, clearly proving that content was king. Even the likes of M. Rajesh, after hits, like Oru Kal Oru Kannadi and Boss Engira Baskaran, had to bite the dust. His All in All Azhaguraja turned out to be a disaster.  
Controversies 
Vishwaroopam and Vijay-starrer, Thalaivaa, had to come up with a delayed release. Vishwaroopam witnessed protests from a section of a community and even legal battles were fought, until the Tamil Nadu government stepped in and ensured that all was well. Thalaivaa, for reasons unknown, couldn’t see the light of day as promised. Eventually it had a delayed release and received a lukewarm response at the box office.
New Film makers had a field day
A young breed of directors came to the fore to make some unique films that caught the attention of audiences. Hero or no hero, films like Soodhu Kavvum (Nalan Kumaraswamy) Varuthapadatha Valibar Sangham (Ponram) and Moodar Koodam (Naveen) with new narrative scripts and upcoming actors created a great deal of buzz in the industry.

Centenary Celebrations
‘100 Years of Indian Cinema’ was celebrated in a grand manner. The Tamil Nadu government, along with the South Indian Film Chamber of Commerce, organised a gala four-day mega event which was attended by the who’s who of the Indian film world. Chief Minister J.Jayalalithaa and President Pranab Mukherjee graced the occasion.
 round up the-biggest-telegu-and-tamil-films-2013
 As the year 2013 draws to a close, here's looking back to some of the biggest Telegu and Tamil movies of the year.

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'Nimirndhu Nil' goes to Berlin

Samuthirakani’s Nirmirndhu Nil is to be screened at the 64th Berlin International Film Festival 2014 — and the entire cast and crew of the film seems to be on cloud nine.
The film is not a usual script; it has Jayam Ravi playing a dual role for the first time. Amala Paul, who was last seen in Thalaivaa, and Ragini Dwivedi, popular Kannada model and actress, are donning the female leads in the flick. The Berlin International Film Festival is being held from February 6 to 16.  Jayam Ravi tweeted, “Happy to share the news tht #NimirnthuNil is officially chosen to be screened at the Berlin Film Fest in Feb 14’”. The film is produced by Vaasan Visual Ventures, and G.V. Prakash has composed the music.

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Mysshkin meets Sarath Kumar

This is the latest bit of news that is making the rounds in K’town circles. That Sarath Kumar will be teaming up with Mysshkin for an action thriller to be produced by Radhika Sarath Kumar under the couple’s home banner, Radaan.
Despite his political commitments and half a dozen flicks in all the south Indian languages in his kitty, Sarath strikes a fine balance between acting and politics. Sources say that the prolific actor met Mysshkin recently and the duo discussed a script. Impressed with it, Sarath has agreed to play the lead protagonist in it.
A close source to the director confirms that Sarath and Mysshkin did meet, but nothing has been firmed up yet. The project is likely to be finalised during the first week of January.

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Hari curutihacan to pair with Vishal

There are a lot of Hindi films in Telugu films actress curutihacan hand. Vishal next film will star in the film in motion. The film's shooting will begin on April 14. Hari has been portrayed in the film's final phase.
This film has approached both hacanai pitch. But he has not carried out any arivikkapat. Currently I am a red man is shooting with Vishal. The next picture is likely to be announced soon.
Shruti Hassan on behalf of the crew had spoken to him now, I finished the race and that it purported to be the final kattapatappitip back soon., Next year he'll have to decide on my next film projects. Is reported to have said that.
Vishal about it, said: -
This film is about the preliminary negotiations are underway. Actor - Actress announcement officially be announced on January 14. My company producing the film develops. Shooting starts on April -14, we are planning to release the film on Diwali on October 23. Thus, he said.
 

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'Poromboke' film Arya - Sam joins with Vijay Sethupathi

Produced by UTV, directed by SP Jananathan 'poromboke' Play of the film, co-starring Vijay Sethupathi information already published. In the new film, Arya - Sam joins with Vijay Sethupathi.
This is the story of a young man fighting against social disorder. He is supported, another young man. A police officer stands on the two nightmare dream. The role of the police officer, Sam plays. Karthika is the heroine of the film has been signed. In the film, other than Karthika not heroines.
Story - screenplay - dialogue is written, directed, SP Jananathan. Shooting Jan. 14 - On kulumanali begins on Pongal. State of Rajasthan, Jaipur, Bikaner, Pokhran, jeycalmir the shooting locations are planned. Shooting is scheduled to end in Chennai.

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Veeram distribution sold out through the south

The mere mention of Thala is enough to garner crowds all around, no wonder the movie's distribution rights are sold out in TN and Karnataka. Vendhar movies who acquired the rights of Ajith's previous flick Arrambam has zeroed in the distribution rights in Coimbatore and Salem. With this all official business are done and its just waiting time. 
Ajith, Tamannah, Viddharth, Santhanam play a pivotal role in Veeram and the director is Shiva who gave super-duper hit Siruthai. The race to Pongal is on, with just less than 15 days for the release of Veeram the marketing spree is set to hit the city next week. Thala pongal on the way!  

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Priya Mani’s tiger tales

Actress Priya Mani is ringing in the New Year in fashion. The actress has taken off to Bangkok, and will be back in the country on January 3. While partying and chilling out might be on the cards, the actress is most excited about having visited the Tiger Temple there. She even posted pictures of herself and the wild cat online.

While Priya couldn't be reached for a comment, her mother, Latha, tells us, "She is fond of animals, especially cats and dogs. We've seen videos of people getting close to a pride of lion and mingling freely with them, and Priya had always wanted to do the same. She's adventurous; she told me that she loved every moment of her visit to the temple."

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Dhanush to play a dumb man?

The buzz in the industry is that actor Dhanush will play a mute man in his second second Hindi film, which will be directed by Balki. The actor will team up with none other than Amitabh Bachchan in the film. Ulaganayagan Kamal Haasan's younger daughter Akshara Haasan will make her film debut with the project.

Reports say that Dhanush plays a dumb man, who aspires to become an actor. There are reports that the Big B will be lending his voice for the actor. However, there is no official confirmation, yet. Music maestro Ilaiyaraaja scores the music for the film and PC Sreeram handles the camera. 

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Nayanthara plays an aspiring cop in Raja-Ravi project

Looks like the 'action heroine' image agrees with Nayanthara. We hear that the actress will be seen playing an aspiring cop in her film with Jayam Ravi, directed by Raja. A source says, "After the daring girl avatar in Billa, Nayan has taken up roles that require her to be physically fit, and has also been part of some stunt sequences in her film. In this film with Ravi, she will be seen playing a girl who aspires to become a police official. She is presently training to fit into her role, and her character will be instrumental in steering the script to an interesting twist." 
While Raja refuses to comment on Nayanthara's role in the film, he says, "The heroines in my films have always had strong roles. Even in this one, I've modelled Nayanthara's character such that it suits her image and does justice to her acting prowess." 
 
 

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Veeram’s climax has no fights, given clean ‘U’

If sources in tinsel town are to be believed Veeram, Ajith’s Pongal offering, directed by Sirutthai Siva, has been given a clean ‘U’ by censors and the makers can rejoice since they are entitled to exemption from entertainment tax. The film is scheduled for a massive release on Friday, January 10, 2014 to clearly cash in on the long Pongal (January 14) weekend.
The movie, produced by Vijaya Productions, revolves around Thala and his four brothers, essayed by Bala, Vidarth, Suhail and Munish.  It is a sort of comeback flick in K’town for Tamannah who plays Ajith’s love interest. The film’s teaser, which was released last month, has generated positive vibes. The first time music combo of Ajith and composer Devi Sri Prasad is already rocking.
The highlight, according to inside sources, is that unlike other films which usually end with nail-biting stunts at the climax, here in Veeram, the 30-minute climax has no fights at all. It’s full of riveting emotions.
One may recall that Ajith’s Arrambam, which released this year, also received a clean ‘U’ certificate from the censor board. The stylish action entertainer was a huge hit and the Telugu dubbed version of the film also garnered much attention.
 for more details :http://tamilcinemanewsdaily.blogspot.in/

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Ivan Vera Maathiri


Critic's Rating:  
Cast: Vikram Prabhu, Surabhi, Vamsi Krishna, Ganesh Venkatraman, Harirajan
Direction: M Saravanan
Genre: Action
Duration: 2 hours 33 minutes
Synopsis: Gunasekaran, a socially responsible youth, kidnaps Easwaran, the brother of Sadasivam, the law minister, after the latter orchestrates violence among students. Sadasivam loses his post and Guna releases his captive but Easwaran wants revenge...Movie Review: You have kidnapped the brother of a minister. He is also a ruthless gangster but you have managed to keep your identity (read face) a mystery from him. You have reached the place where you are hiding him, and right at that moment, you get a call from your girlfriend. You attend the call rather than ignoring it (or even texting a 'will call bk ltr') and go on to discuss banking details, saying out loud her account number, despite the chance that your quarry could hear it and use it to discover who you are. If such a circumstance feels logical and plausible enough for you, then, Ivan Vera Maathiri is right up your street. Else, steer clear!
The film opens with visuals of violence unleashed on some students in a law college (with policemen remaining mute spectators), a not-so-subtle reference to the incidents that occurred in a Chennai law college in 2008. Gunasekaran (Vikram Prabhu), a 26-year-old advertising professional, is affected by the news, and decides to take on Sadasivam, the law minister, who orchestrated the assault. To do that, he kidnaps his brother and hit man Easwaran ( Vamsi Krishna), whom the minister has unlawfully brought out of jail in parole. Guna's idea is to hold the man hostage until his parole lapses, humiliate the minister in public and make him resign his post, and take away the power that made him a fearsome individual. Guna also meets Malini ( Surabhi), an airy-fairy college student, who falls in love with him.

Meanwhile, Sadasivam resigns and becomes the target of a police investigation, and a contented Guna releases Easwaran. Now, the prey becomes the hunter, searching for his captor, despite being pursued by the hard-nosed cop Aravindan ( Ganesh Venkatraman).

If the screenplay was the strength of Saravanan's debut Enageyum Eppothum, here, it becomes a weakness as the director's attempts to make a "different" vigilante film get lost in implausibility, patronizing (a line about girls who do not receive calls or SMSes being "good girls" is downright 
 condescending) and sub-par acting. He has the outline of a terrific action movie plot; generally, it is the hero who is at the receiving end in the first half and goes after his tormentor in the latter portions after piecing together his identity but here, it is the opposite. However, the scenes aren't particularly interesting beyond a strictly functional level. Guna isn't directly affected by the violence in the college and so, his decision to turn a vigilante should have been compelling. But what we get are a couple of scenes where he is aroused by stray remarks. And, while his plan to hide Easwaran seems well thought out, the manner in which he goes about smacks of carelessness. He reveals his real intention to his captive, gives him a blatant clue to his identity, and worse, when the minister is arrested, lets Easwaran loose on the streets rather than ensuring that he gets into police custody. And, in the end, Aravindan is conveniently shown as someone who believes vigilantism to be good.

But the weakest section is the romantic track — Malini is certainly the latest in the ignominious list of daft heroines in Tamil cinema. She allows Guna, a stranger to her at this point, to use her house loo, and later carries a fish all over the city after he leaves it with her. Saravanan wants these scenes to be funny but they only trivialize Malini's character. And to add to her insult, we are repeatedly told, she has 18 arrears! Even after Malini and Guna fall in love, we never sense their 
  for more details :http://tamilcinemanewsdaily.blogspot.in/
 
 

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'Thirumanam Ennum Nikkah' special for Nazriya

Southern actress Nazriya Nazim considers upcoming Tamil romantic-drama 'Thirumanam Ennum Nikkah' as very special because it was the first film that she signed in Tamil before making her debut in the industry with 'Neram'. "I was in class eleven when I was signed for this film. It's a very special project because my director believed in me even before roping me in. I don't think any director would take the bold step of casting a newcomer in a big film," said Nazriya.The 19-year old had earlier this year, accused director A. Sarkunam of using a body double to shoot intimate scenes for the Tamil romantic-comedy 'Naiyaandi' starring her. But she doesn't want to talk about it now.
"That incident is over. I don't understand why people still ask me about it when I have moved on and I'm happy with how my career is shaping," she said and added, "I'm eagerly waiting for the release of this film (' Thirumanam Ennum Nikkah'), which celebrates the spirit of Indian weddings".
Nazriya, who started her career as a child artist in Malayalam movies, is paired with Jai in the 'Thirumanam Ennum Nikkah', which is being directed by Anees.
   for more details :http://tamilcinemanewsdaily.blogspot.in/

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Audio beat: Jilla - Big stars and some great music

Super Good Films’ Jilla has been produced by R. B. Choudary, and written and directed by R. T. Neason. The cast includes Vijay, Mohanlal, Kajal Agarwal, Suri, Poornima Bhagyaraj, Mahath, Niveditha, Sampath and Thambi Ramaiyah. The camera has been cranked by Ganesh Rajavelu, editing is by Don Max, art has been taken care of by Rajeevan and the stunts choreographed by ‘stunts’ Silvan. The story is set in Madurai and has love, sentiment and other ingredients to make it a success. The audio was released recently.
What they say
Producer R. B. Choudary: This is my 25th year in the industry and Jilla is my 85th film. I have worked with most of the top stars in Tamil, Telugu, Kannada and Malayalam. In fact, we have introduced many newcomers who have gone on to become top directors and technicians in South India. My production company has done five films with Vijay and they are Poove Unakkaga, Love Today, Thullatha Manamum Thullum, Shajagan, and Thirupachi. This is going to be the most expensive movie from our company and we are confident it will be a mega hit. 

Director R. T. Nesan: I wanted to direct Vijay, but never dreamt I would be directing both Vijay and Mohan Lal in the same movie. This was possible only because of actor Vijay. I was an assistant to directors Vincent Selva (Iraniyan) and Udhayashankar (Thavasi) and worked as a second unit director on Velayudam, as director ‘Jayem” Raja was my junior in the film institute. My first film was Muruga and Jilla is the second one.
Hero Vijay: Just when I was looking a different kind of film, I received this script from Nesan. As it is good, I feel he has a hit on hand.
Music director D. Imman: I was happy to compose the music for Jilla, as I felt it had all that it took to make it a box office success. This is my second film with Vijay. Director Nesan was clear about what he wanted me to do in the film. I am confident the music will win the hearts of not only Vijay fans but also all those who enjoy good cinema. 

Music highlights
The album comprises six numbers, the best of which is ‘Paattu Onnu’, written by Yugabharathi and sung by S.P.Balasubramaniam and Shankar Mahadevan. ‘Verasa Pogayile’, written by Parvathy and sung by the music director himself, is good. ‘Jingunamani’, written by Viveka, and sung by K. G.Ranjith and Sunidhi Chauhan, is pleasant, while ‘Kandaangi Kandaangi’, written by Vairamuthu and sung by Vijay and Shreya Ghoshal, is a number listeners would enjoy returning to. ‘Yeppa Maama Treatu’ is a mass number written by Viveka and sung by the music director, A.V.Pooja and Snigdha Chandra, with the rap sections by Maria Roe Vincent. Last but not the least is the Jilla theme song, written by Viveka and sung by Santhosh Hariharan , Deepak, Anand and Shenbagaraj. There are also two karaoke tracks of ‘Verasa Pogayile’ and ‘Kandaangi Kandaangi’ for the benefit of listeners who wish to sing along with the music. 
  for more details :http://tamilcinemanewsdaily.blogspot.in/
 A still from Jilla

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Mahabharat: No epic impact

With its grey characters and labyrinthine socio-political layers Mahabharat is not essentially meant for kids for even the god is not above doubt here. It is ideal to keep the argumentative Indian occupied but in an industry that loves to see things in black and white, Ramayan has always been a more convenient palette to daub into. So over the years while we have had umpteen versions of Ramayan, apart from Babubhai Mistry, nobody tried to paint Mahabharat on big screen. Of course, for years it has been the source for our screen writers to generate stories about greed, fidelity and obligation. For generations it has given licence to filmmakers to treat heroines as an object that can be gambled and men as brawny creatures, who can go to any extent to satisfy their egos and vows but nobody tried to capture the essence of the epic.
Director Amaan Khan has come up with an animated and abridged version of the epic. He has got the colour of conviction but it comes across as a rather sanitised, simplistic version of the complex narrative. He has managed to get the ambience right. So the palaces look royal and mysterious but the characters, who inhabit them are rather sketchy. What hurts the most is the lack of imagination and research. The costumes and contours remind the sketches of Amar Chitra Katha and the fight sequences are inspired by B.R. Chopra’s tele-series on the epic. So when the arrows strike in the air and generate lightening of different kinds, it gives a feeling of déjà vu. The animated characters walk awkwardly and gingerly. Amaan has come up with an interesting idea of not only involving the leading stars of the industry to dub for the principal characters but also make the main characters look like the actors. So Arjun resembles Ajay Devgn, Karna reminds of Anil Kapoor and Draupadi looks like Vidya Balan on a bad day. 

But the way the sketching has been done the animated characters do no good to the vanity of these stars. Every time Draupadi opens her mouth her molars show up. Biological accuracy should not come in the way of aesthetics, particularly when she is described as a beauty who can sweep anybody off his feet. Shatrughan Sinha with his pronounced baritone is not the ideal choice for Krishna and the technical team doesn’t help his cause as it has moulded the avatar of Vishnu as a baby-faced wonder. The actors try hard to fill the computerised cardboards with some personality with their voice. Jackie Shroff is outstanding as Duryodhan, Anil Kapoor manages to create sympathy for Karna and Anupam Kher is suitably wily as Shakuni. He has brought more than a hint of yesteryear villain Jeevan in his performance. Amitabh Bachchan and Sunny Deol are not bad as Bhishma and Bhima respectively but the lack of insight ensures that we don’t feel for these characters.
The artwork in expressing softer emotions is all the more dismal. So love and compassion don’t translate into any emotional rush. And when the scene shifts to Kurukshetra, you don’t have to battle with the adrenaline rush. For a generation that regularly feeds on eye-popping animation from Hollywood, the war scenes come across as yesterday’s meal.
Mahabharat deserves a liberal reading but apart from Karna’s episode Amaan has remained true to the traditional rendering of the epic and there is hardly any effort to delve into the moral dilemmas of the characters.
It is time that the context of lines like “Arjun ne Draupadi ko swyamvar mein jeeta hai” (Arjun has won Draupadi in a swyamvar) is explained.
Arnab Chaudhuri’s Arjun: The Warrior Prince, which dealt with some of the episodes was a more

Mahabharat
Genre: Animation
Voice cast: Amitabh Bachchan, Anil Kapoor, Jackie Shroff, Vidya Balan, Manoj Bajpayee, Sunny Deol, Anupam Kher
Storyline: Kauravas and Pandvas fight it out for what they think is rightfully theirs
Bottom line: Daubed in colour, this one manages to make the most riveting story ever written boring 
  for more details :http://tamilcinemanewsdaily.blogspot.in/
 Mahabharat

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Madhayaanai Koottam: Herd mentality

For over an hour you are forced to witness rituals and listen to the rigmarole of a village funeral, albeit with flash cuts to the past of the dead man! Never in a film would you have watched the paraphernalia of death go on and on in such detail. You already feel drained by the crassness of the process, when the next death happens. Oh God, you groan! And then another corpse surfaces! Soon you are dumped with yet another. At this point you just give up. The hopelessly dark and unbearably loud scenario in Madhayaanai Koottam (U) leaves you tired and exasperated.
Director Vikram Sukumaran’s purpose of showcasing the lives of those steeped in dogma may be laudable, but the veracity in the treatment doesn’t justify the effect it has on the viewer. Absolute lack of finer feelings, little respect for the lives of others and loud performances mar the appeal of MYK. Morbidity in excess can backfire. Wonder how composer G.V. Prakashkumar could have allowed his maiden production to be soaked in so much blood! In fact, the U certification for MYK seems a cruel joke on the viewer. The young composer could have at least salvaged the film with some subdued RR. But no, he has handed over the department to Raghunandan and it is din most of the time. And the only hum-worthy number, (‘Konakonda Kaari,’) doesn’t sound too original either! 

The son of a second wife is chased by the relatives of his dead dad, Jayakodi Thevar, after a brawl, and it is murder and mayhem all the way. For a while, the cat and mouse game is interesting. Also the performance of Viji as the first wife of Jayakodi Thevar is a saving grace of MYK. It is the work of a seasoned actor! Yet it doesn’t mitigate the terrible impact of her grief-stricken final act, when she spreads the blood of the man killed in the melee, on the floor, and looks at her blood-stained hands in Lady Macbeth style!
Kadhir, the new hero, tries to do his best. But in the story that highlights nothing but gore, he achieves little. Oviya’s gentle overtures offer little relief.
Amidst this pandemonium, the few subtle touches — like hero Kadhir pushing Viji’s hand away in the climax to indicate that he knows about her treachery — could go unnoticed.
Madhayaanai Koottam is a very relevant title. And that’s about it. 

Madhayaanai Koottam
Genre: Murder
Director: Vikram Sukumaran
Cast: Kadhir, Oviya, Viji
Storyline: The son of a man with two wives has to fight social stigma and treachery at the hands of some of his own people.
Bottomline: Bloody without respite 
  for more details :http://tamilcinemanewsdaily.blogspot.in/
 Too much gore: Madhayanai Kootam

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Lawrence debuts in B’town with an Ajay Devgn film

There has been a fad in Hollywood in the recent past to make the best use of south Indian films and remake them in Hindi, tweaking the story to suit local tastes. Sometimes, the B’town stars insist that the filmmaker who made the original wield the megaphone for them as well, like 'Murugadoss' ('Ghajini'), Prabhu Deva ('Pokkiri' in Tamil and Wanted in Hindi). That’s precisely what has happened also to our choreographer/actor/ filmmaker Raghava Lawrence.
Actor Ajay Devgn who has tasted success, remaking Suriya’s 'Singham' and 'Son of Sardaar', which was a remake of 'Maryada Ramanaa', is all set to act as the lead protagonist in Lawrence’s earlier blockbuster, 'Kanchana' — 'Muni 2'.  Devgn, who watched the film, was highly impressed with it and wanted Lawrence to make it in Hindi also. This means that Lawrence will be making his debut in direction in B’town. In Kanchana, he had played the male lead besides directing the movie while Sarath Kumar had the prominent role of a transgender.
 When Lawrence was contacted by this newspaper, the multifaceted personality who was busy in the wrapping up stage of its sequel, 'Muni 3' — Ganga, said, “Yes, it is true that I am making Kanchana — 'Muni 2' in Hindi, with Ajay Devgn in the lead. We are yet to figure out the actor for the transgender role played by Sarath Kumar. All other details are being worked out.” 
 for more details :http://tamilcinemanewsdaily.blogspot.in/

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A.R. Rahman unveils 'Kangaroo' audio

Director Sami, known for his controversial themes, has consciously deviated from his image and come out with a film titled, 'Kangaroo'. Produced by Suresh Kamatchi and Ravichandran, 'Kangaroo' has Arjuna and Varsha Ashwathi in the lead. Interestingly, top playback singer Srinivas turns music composer with this film and the lines have been penned by none other than ace Vairamuthu.  What had Srinivas feel he was on cloud nine was when his mentor, A.R. Rahman, unveiled the first set of audios at an event.
Later, it was launched officially at a press gathering. Speaking on the occasion, Vairamuthu related how Sami had come to him to tell him about Kangaroo and how he had wanted to approach him for his earlier films too, but had not been able to commandeer his large budgets. Vairamuthu apparently told him that he too knew the business of Tamil cinema. “I know what to charge for big-, small-and very small-budget films. In fact, I am passionate about writing for the last category. And my lyrics will have the same class as if I were to write for Rajini or Kamal or Mani Ratnam or Shankar,” he said. He also wished a speedy recovery to Ilaiyaraaja
 for more details :http://tamilcinemanewsdaily.blogspot.in/
 

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The smile’s back

Vinay Rai on making a comeback with Endrendrum Punnagai and his mantra for success

Vinay Rai made heads turn with his very debut, director Jeeva’s frothy Unnale Unnale. Tamil cinema had a new chocolate hero. Six years and mixed fortunes at the box office later, Vinay romances the big screen again with Ahmed’s just-released Endrendrum Punnagai, a story of male bonding and love.
“Shooting for the film was a scream,” says Vinay. “We were all in the same age group, and sat together to develop our scenes. Plus there was Nasser Sir. I have always put him on a pedestal and wanted to work with him. It’s amazing how he brings himself down to our age… there are no inhibitions.”
Endrendrum came to Vinay through Santhanam, who acted with him in Jayam Kondaan. “I’ve always wanted to share screen space with another hero. It’s a great test of your mettle. It helped that Ahmed came up with a youthful script,” says Vinay.
Speaking about Endrendrum…, he says it is a great entertainer. “I believe it is a ‘value for money’ movie.”
Analysing his hits and misses, the actor says he always wanted to do movies that were “different”. Which is why he rejected nearly a 100 ‘lover boy’ scripts after Unnale…Vinay also decided to do one film at a time and explore genres. “I did not want to be stereotyped.” But while two of his films worked, the third tanked. “I’d be lying if I said I was not crushed. But, I told myself that success and failure greet you in every field. Why should this be any different?”

It was the 2012 mass film Mirattal that turned the tide in his favour. “2013 has been a learning curve for me. I learnt what to do and what not to,” he says.
Vinay hails from a non-film background. His only exposure to the medium was watching English classics with his family. “I love old-fashioned movies,” he says. Rugby was his first love. He played for his home state (Karnataka), for the country, and then gave it all up for the movies. “I gave up something I loved for something I might fall in love with,” he smiles. “I am a product of the Jeeva school of movies,” he says of the cinematographer-director who died tragically young when shooting in Russia. “He taught me all I know. The one year I worked with him was like a crash course in acting. And, yes, I did fall in love with movies,” he recalls.
Vinay calls himself a director’s actor. “In good hands, I can prove myself.” The actor concedes that there’s no guarantee for success, but says he thrives on hope. He now places his trust on the new generation of directors who are willing to take creative risks. “I don’t do movies for money or fame. I do them because they enrich my life,” he says.
And, he plans to be in the industry for a long, long time. “I wish to be in front of the camera all my life.”
 for more details : http://tamilcinemanewsdaily.blogspot.in/
 Vinay Rai

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Comfort zone

Director Nesan talks about his pet project Jilla and getting actor Vijay on board

When actor Vijay agreed to do Nesan’s Jilla after listening to the script for a full two and a half hours, the director was ecstatic. But he waited two long years to hear back from the actor. Despite knowing Vijay almost always keeps his word, Nesan grew restless.
 As time went by, Nesan decided to move on with his Telugu film. “You won’t believe it, on the day of getting the advance from a Telugu producer, Vijay called me and said that I am directing his next film,” he says. He took the next flight to Chennai and met the actor, who promised that “everything required to make Jilla the way I envisioned will be made available”. Nesan had previously made Muruga, in which, he says, he had to compromise a lot in terms of content and production value. And he decided he would have none of it this time around. With RB Choudary on board, the film became big. 
Luckily, Nesan met Vijay when the actor was going though a transformation which offset any apprehensions the director would have had with regard to tweaking the content to suit Vijay’s image. “After working in films such as Nanban and Thuppakki, he was very clear that the film should be sensible and closer to life. If I narrated a stunt scene where he was doing something unrealistic, he would stop me and ask me to keep it simple.” Yet, one cannot take Vijay out of a Vijay film. It is a film set in Madurai. “But, it won’t focus on the rural Madurai which we have seen in many films. In Jilla, I have tried to showcase a Madurai in transition: semi-modern, a more urban Madurai. It is not just a film to prop-up the hero, there is a story in it.” Unwilling to elaborate on the role Malayalam superstar Mohanlal is playing, Nesan says that he is Vijay’s guru in the film. “When I was at the film institute, I used to watch a lot of Malayalam films. I couldn’t think of anyone other than Lal when I wrote this character,” smiles Nesan.
 for more details : http://tamilcinemanewsdaily.blogspot.in/
 Jilla

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